Phonics In Perspective: Taking a Closer Look

by, Jenn Hayhurst

To access the archive of the chat please click here.

For as long as I can remember there has been an ongoing public debate for how to teach children to read. The “Reading Wars” asked teachers to take a side – are you pro phonics or whole language? Not even a global pandemic could silence it. If anything, it has only gotten worse. Nowadays it is: are you for the Science of Reading or Balanced Literacy? While that may all be well and good for selling newspapers, or getting “likes” over social media, it does little to elevate teacher knowledge or practice. The best way to do that is to engage in a good conversation rather than rigid one-sided debates.

On August 12, 2021 the #G2Great team hosted a chat to take a closer look at how to keep Phonics in Perspective. Teachers from all over came together to share their knowledge and experiences for phonics instruction. We discussed what we know to be true, we listened with the intent to understand, and aspired to build on our existing knowledge base to grow our instructional practice.

What we know to be true

Phonics learning is a strategy that helps readers to match spoken sounds to letters in an effort to decode. Phonics knowledge also helps readers identify common patterns embedded within syllables, this is helpful for both reading and spelling. Teachers of young children know that phonics instruction is important. When it comes to teaching children to read, nothing should be off the the table. Reading is a very complex process, one that requires teachers to differentiate instruction based on the needs of the students in front of them. This is a basic truth that many commercial programs fail to acknowledge and I think that is why so many programs fall short:

Listening to learn and grow instructional practice

During the chat I found myself reflecting on what others had shared about how to keep phonics in perspective. I returned to the Wakelet and gathered some tweets that really helped to clarify what I learned to grow my instructional practice. One takeaway I had was the importance to make room for transfer of learning to occur. Making room for transfer can happen when students: participate in word sorting, interactive writing, shared reading, or independent reading of decodable or more authentic texts. Then my thoughts turned to how important it is to bend the curriculum in order to make room for lots of component work. Finding ways to integrate interactive writing, shared reading, guided reading, and conferring to phonics learning will give students so much repeated practice for their learning of phonics as well as many other important strategies. I also though about the reading writing connection and how that promotes opportunities for phonics learning during reading and writing workshop. Again, I found my thoughts returning to the need to differentiate because reading is complex and there is no one simple “right” way to teach children how to read.

Teachers already know what side to take when it comes to the “Reading Wars” debate. There is no alternative but to be on the side of students, and that means integrating phonics instruction and honoring student centered decision making. Throughout this post many smart educators discussed how to embed phonics instruction for their students in meaningful ways. I am truly so grateful to be able to learn from so many talented and experienced teachers.

Every Kid A Writer: Strategies That Get Everyone Writing by Kelly Boswell

by Fran McVeigh

The Twitter chat is available in its entirety at this Wakelet link.

On Thursday, June 24th, Kelly Boswell joined the #G2Great chat to discuss her book, Every Kid a Writer: Strategies That Get Everyone Writing. Other books by Kelly include: Crafting Nonfiction Intermediate and Solutions for Reading Comprehension coauthored with Linda Hoyt and these two by herself, Write This Way: How Modeling Transforms the Writing Classroom and Write This Way From the Start.

This is one of those blog posts that I began early in order to process the information and to do justice to the topic amidst a busy summer. I reread Kelly’s book. I listened to her podcasts. I reviewed her quotes and then fresh off four days of writing institute, I wrote three or four possible hooks. As the chat ended, I raced to my draft “possibilities” document full of joy. The chat had been exhilarating. Joyful. Respectful. Packed with ideas. And so student-centered. But I couldn’t find a way to begin this post. Or more accurately, I couldn’t find a way that I liked well enough to begin this post. I chalked it up to being tired and waited to reread the Wakelet Friday morning to save some tweets to use. But I was stuck without an appropriate introduction.

Saturday started out with a fantastic Text, Talk, and Tea Zoom with Clare, Franki, Laura and Lynsey. After they shared their text set, I kept returning to several ideas from Colleen Cruz’s keynote closing for the #TCRWP writing institute. Colleen talked about the trust that students place in their teachers and how we need to celebrate that trust and learning in order to appreciate, amplify and pass the mic. Here’s her slide:

Colleen Cruz #TCRWP Keynote, 06.25.2021

Appreciate. Amplify. Pass the mic.

We can do that because we find JOY and LOVE in students’ writing when we remove barriers and focus on providing the instruction that supports them in writing. This joy and love was what I saw as the vision behind Kelly’s book and the reason that her writing strategies DO get everyone writing. There’s no blaming students. There’s no shaming students. There is an expectation and a vision that everyone can write . . . once the environment and instruction is prepped for them. We can do that because we are ALSO writers and we value both process and product. We value writing… and writing… and writing!

After finding my own connections to Kelly’s book, I wanted to honor her purpose in writing this book because I, too, have heard these questions.

What motivated you to write this book? What impact did you hope that it would have in the professional world?

This book is a response to the question I hear the most from the teachers with whom I work – “What about those kids who don’t like to write?” 

Many of us, at one time or another, have found ourselves in the company of a few (or perhaps more than a few) students who shrug when asked about their writing. They slump in their chairs instead of jumping into writing with energy and vigor. They sharpen pencils or ask for the bathroom pass or decide it’s a good time to organize and reorganize their desk. They groan when you announce that it’s time or write or they barrage you with questions along the lines of “How long does this have to be?” 

Many teachers mistakenly think that the problem lies with the reluctant student. I had a hunch that, like most things, teachers and classroom environments created either reluctance or engagement. 

In this book, I set out to explore this topic – why do the writers in some classrooms seem so reluctant while students in a different classroom dig into writing with enthusiasm and joy? Could we, as teachers, create classrooms and writing experiences that could increase engagement? As I spoke to students and teachers and taught lessons of my own,  my hunch was confirmed: The environment and community we create in the classroom, along with some specific, yet simple, teaching strategies, have an enormous impact on how students engage with writing. 

And that vision led us to our second question.

What are your BIG takeaways from your book that you hope teachers will embrace in their teaching practices?

One of the biggest takeaways that I hope teachers embrace is that the problem of reluctant writers is NOT the kids. As teachers, we have the power to embrace and use some simple, practical strategies that support ALL kids to engage in writing with enthusiasm and joy. These six strategies are outlined in the book: 

We can: 

1. Use mentor texts and teacher modeling to fuel engagement

2. Create a safe and daily space for writing

3. Expose writers to real readers.

4. Offer more choice (choice of paper, seating, topic, etc.)

5. Maintain a healthy perspective on conventions.

6. Shape and create a healthy writing identity through assessment

Let’s pull back the curtain and look a little further at some of the six strategies shared by Kelly during the chat.

1. Use mentor texts and teacher modeling to fuel engagement.

2. Create a safe and daily space for writing.

3. Expose writers to real readers.

4. Offer more choice. (choice of paper, seating, topic, etc.)

5. Maintain a healthy perspective on conventions.

6. Shape and create a healthy writing identity through assessment.

In conclusion, I return to the final question for our author and just a few additional thoughts.

What is a message from the heart you would like for every teacher to keep in mind?

As teachers, the goal of all of our planning and teaching and conferring and assessing is, simply this: 

  • We want kids to fall in love with writing. 
  • We want kids to find words that they love and never let them go. 
  • We want kids to see writing as a way to connect with others, share ideas and engage in civil discourse. 
  • We want kids to know that writing is a powerful tool that they can use to think, reflect, remember and influence others.  
  • We want kids to discover that the act of writing is its own reward. 
  • We want them to know, deep in their bones, that writing has so much to give and so much to teach. 
  • We want kids to live joyfully literate lives. 

It starts with us.

When we provide time for students to joyfully tell their stories, we must Appreciate. Amplify. And pass the mic! This mutual respect and trust between writers and teachers of writing results in classrooms filled with joy, purpose and energy. To conclude, a repeat of the closing quote from the chat, in Kelly’s own words:

Let’s get started!

Additional Links:

Blog Posts (Heinemann):  https://blog.heinemann.com/conferring-with-kids-remotely-tips-for-remote-writing-conferences-from-kelly-boswell

https://blog.heinemann.com/positive-practices-for-you-and-your-students

Podcasts: https://blog.heinemann.com/podcast-demystifying-the-writing-process-with-kelly-boswell?hsCtaTracking=ee7df32b-f50a-49f2-adf8-67e9076b7157%7Cdc1d2e0c-2715-48ff-ab7f-4b640204da9e

Books: https://www.amazon.com/Kelly-Boswell/e/B00E59W45Q?ref=sr_ntt_srch_lnk_3&qid=1620140304&sr=8-3

Article: https://www.languagemagazine.com/2020/02/19/harnessing-the-power-of-a-teachers-pen-2/

Writing Unbound: How Fiction Transforms Student Writers

By Fran McVeigh

Wakelet transcript of our #G2Great Chat here


What is a message from the heart you would like for every teacher to keep in mind?

I think that we have made writing in schools a task, heavy labor. We need to connect writing with play, with improvisation, pleasure, and friendship.

Tom Newkirk, email.

Tom Newkirk’s response hurts my heart. My teacher heart. My writing heart. My parent heart. My grandmother heart. My literacy being just hurts.

It hurts my heart because I also know it to be true. Writing has become a “chore” in many classrooms, whether it is the kindergarten classroom where students COPY sentences from the board daily, the fourth grade classroom where students respond to daily writing prompts from the teacher, or the middle school classroom where students are engaged in formulaic argument writing day after day. Of course, not all classrooms have reduced writing to tasks and heavy labor. But many classrooms in middle schools and high schools across this country teach “how to write a sentence”, “how to write a five sentence paragraph”, and “how to write a five paragraph essay”. Disheartening. Disillusioning. Deadly for a writer’s heart.

Necessary?

Appropriate?

Well-intentioned?

Expected?

Required?

Where do your writing experiences fit? Consider the stories in this blog post. Do they parallel your experiences? You will see stories of writing from writers, teachers of writing, and wisdom from some writing experts!

And now, back to our regular format. Typical posts begin with our title slide and some background on our author or topic. So let’s resume our regular program!

Our #G2Great chat on Thursday, May 27, 2021 with Thomas Newkirk tackled a variety of issues about writing that all writing teachers need to consider. We were discussing his newest beautiful book, Writing Unbound: How Fiction Transforms Student Writers, which is student-centered, qualitative research. Research carefully and respectfully gathered from students and teachers! This was a return visit to #G2Great for Tom who hosted in January of 2018 to discuss Embarrassment and the Emotional Underlife of Learning. His previous books, Minds Made For Stories and Holding on to Good Ideas in a Time of Bad Ones continue to grow our thinking about current fads as well as what we need to hold tightly to in order to realign and reignite our actions, visions, and beliefs about writing instruction.

I love to write. I write best when I have choice in topic/content and organization. I know that’s not always possible. I’m not comfortable writing fiction and stories are still hard. Not fun. Not pleasurable. But in recent years I know that stories cultivate friendships as I have learned through Two Writing Teachers’ Slice of Life. I have searched for the source of my failure feelings with fiction. One factor: I came from the era when we were taught that our writing should never include “I” or “you”. I and you were consistently “red-inked” by multiple teachers. Consequently it became easier to avoid situations where an “I” or “you” story felt more natural. Avoidance seemed to work. A second factor from my own school days – I don’t remember ever feeling that my teachers were WRITERS so there was little encouragement. And thirdly, writing was often a task or assignment to be completed only by students. Fiction . . . It was never presented as a choice in junior high or high school.

So here are two quick stories from my writing life.

My obsession with improving writing instruction began with a course on writing with Sue Meadows after I had been teaching for a decade or two. Sue was a local district administrator with ELA Curriculum responsibilities. And then I was hooked. Atwell, Graves, Harwayne, Hansen, Murray and Spandel were just a few of the writers that I was studying. I became a sponge. I went to additional training on the “6 Traits” and thoroughly absorbed the notion of aligning instruction with the rubrics used in assessment. Through assessment academies, I also went on to co-lead district-wide writing assessment. Each opportunity led to increased understanding and typical me, I never waited for “someone else to bring the learning to me”. Instead, I continued to search for more information about writing processes and the different genres of writing. My goal: Continue to grow my own understanding of “Quality Writing”!

In November of 2014, I attended and presented at NCTE in Baltimore. One speaker in a panel presentation stood out: Tom Newkirk. I was fortunate to have a seat in the packed room. I chuckled with conference attendees when Tom said that a “hamburger” organizer was an “even bigger insult to a hamburger” besides it often resulted in boring, dull, tired writing. I appreciated his emphasis on student choice writing even as I knew that would be a tough sale for some of the high school teachers in my region. Since that date, my collection of Tom Newkirk’s books has risen exponentially.

What motivated you to write this book? What impact did you hope that it would have in the professional world?

I felt that there were several “disconnects.” Students are immersed in fictional narratives–movies, video games, books, TV. But they are rarely given the chance to write in these forms. That’s one disconnect. Another is the profusion of fictional writing outside of school (e.g. fanfiction) and its absence in school. I think schools are still operating on an outmoded idea that reading is the dominant form of literacy, and that writing, particularly fiction writing is for the talented few. That’s no longer the case Finally, we praise the benefits of fiction reading as creating empathy and self-understanding. Why can’t the same be said for writing fiction–creating characters? So my goal is to open space for a kind of writing that students are eager to explore.

Tom Newkirk, email

Opening space. I wouldn’t have written about video games until my grandson introduced me to Mario Brothers. But I still don’t know enough to write about it. Fiction reading is my absolute favorite. Fiction writing is my absolute least favorite writing. I don’t know the expectations. I haven’t written enough fiction to write it even “passably” well.

What do you know about fanfiction? Here’s an excerpt from fanfiction.net under “Books”.

1,237,100 fanfiction pieces about these 5 books. WOW!

What is the role of fiction in our students’ lives. Are students being asked to READ fiction but NOT write fiction? Isn’t that ironic?

This leads me to the final question that we ask our authors.

What are your BIG takeaways from your book that you hope teachers will embrace in their teaching practices?

I hope that they will open their practice to allow fiction writing–not even necessarily requiring it, but making a space for it. I hope that they will listen to students–about what they want to write, and their experiences writing. I hope that teachers themselves try out fictional writing. I hope that teacher prep will make a place for fictional writing as prospective teachers move toward their career. And I hope that our instruction will avoid formulas and instead look inductively to how writers actually write.

Tom Newkirk, email.

Many hopes: allowing fiction writing, listening to students, trying it themselves, teacher prep, avoiding formulas and examining real writing.

Now that we have looked at Tom’s goals for his book and heard two of my stories about writing, let’s get to the heart. What are students saying about their writing? These two quotes were part of the #G2Great chat.

Writing Unbound, Thomas Newkirk

Some people don’t get the “What if?” Some people like the easier what ifs of what if this happened to so-and-so, in modern day. Other people can’t stand that kind of stuff and that is what fantasy is for.

Helen, quoted in Reading Unbound

I can relate to Caroline’s “flow of ideas” as drafting is a messy spot in my head with ideas ping ponging everywhere. As for Ernest’s ideas, I think I would pass on the writing a story and the analysis. Helen speaks of the freedom of “What if?” in fantasy writing. Maybe my niche in writing would be to verify more informational text/ideas that could be added?

What I take away from all three students and Tom’s tweets is that writing stems from many sources and that we must trust students because 1) they do know a lot and

2) there is no one way for writing to go!

And they, the students, know it!

But I don’t see that flexibility for students or even for teachers of writing in many of our schools.

The wakelet contains so much wisdom from Tom Newkirk and the many teachers and #G2Great friends who join us weekly. The remainder of this post is going to focus on just this one question.

Why has fiction writing diminished in the upper grades?

  1. Call for college prep writing and Common Core Standards

College and Career Ready

I call this bias, the cattle-chute vision of preparation. This is why a creative writing elective is often viewed as a kind of indulgence, unrelated to the main mission of high school writing. I think of the advice that the young Dav Pilkey received: that he would never make a living drawing silly cartoons about a principal who thinks he is Captain Underpants. That, of course, was several million book sales ago.

Tom Newkirk, Writing Unbound

Some folks do not believe that fiction writing has a place in academia; fiction writing is for beginning writers. That leads us to reason two.

2. Fiction is too easy and not rigorous enough.

… narrative is not a discrete type of writing—it is our primary mode of understanding, and it underlies all writing.

(Newkirk 2014)

It simply makes no sense to deny students the opportunity to write in the genres they choose to read.

3. Lack of personal perception of competence and conviction that fiction fits into daily writing instruction

Fiction writing can also offer an experience that I feel is crucial to enjoying writing: the feeling that writing generates writing—that a word suggests the next word or phrase, that we can listen to writing and sense what it suggests. And even for teachers committed to fiction writing, it’s a tough fit in the curriculum. Stories take time and are often far longer than more contained forms of writing—an editorial, for example, which can be held to a few paragraphs.

Tom Newkirk, Writing Unbound

Not all writing is equal. Writing-like activities are available that may or may not parallel reading activities. Tom calls these peripherals. It may surface in writing prompts, vocabulary or comprehension work.

In Conclusion . . .

As I searched for a way to conclude this post I was drawn back to these questions that Tom Newkirk used to close chapter 2 of Writing Unbound. What are your answers? How would your students answer them? They might be a source of reflection on past instruction or planning for next year’s instruction!

So we need to ask: Can we inhabit the dizzying worlds that Ernest and his friends create? Can we experience with them the dangers and narrow escapes? Can we even help them think through their plots, imagine their characters? Can we play their game? It’s a challenge worth taking up.

Tom Newkirk, Writing Unbound

LInks for Additional Resources:

On the Podcast: Writing Unbound Link

Sample chapter from Writing Unbound Link

A Confession from Tom Newkirk about Writing Unbound Link

Bridging the Divide between Creative Writing and Literary Analysis Link

Added 06.07.2021: “The Power of Writing Collaborative Fiction” by David Lee Finkle LInk

The Civically Engaged Classroom: Reading, Writing, and Speaking for Change

By Fran McVeigh

The Wakelet artifact is available for your perusal here.

The #G2Great chat world was alive, well, and ROCKING on Thursday, March 11, 2021. The podcasts (link) of their work was a hint of the depth of the work proposed but, WOW! What an amazing, well-orchestrated text and chat.

On one hand, when a book comes from authors like Mary Ehrenworth, Pablo Wolfe, and Marc Todd, it might be easy to say “Oh, great, another book about what kids can do in classrooms with supportive teachers, supportive administrators and supportive communities.” However, the wisdom, wit, and enthusiasm generated in the #G2Great chat merely emphasized that everyone in school communities needs to be thinking about civic engagement. Not just one class period a day. Not just the ELA teacher. Not just teachers. But the entire community. (And more about that later.)

On the other hand, naysayers may have a different view. “Really? More political speak about what teachers should or should not be doing in their classrooms? More brainwashing? Is that really the purview of our school systems?

Like any great performance from an orchestra, the resulting concert is only as good as the score. In this case, the score (written music) begins this post with the wisdom of the authors and their responses to the three questions that we ask and then moves to some specific high notes from the chat and then enthusiasm as a rousing finale for this work.

1) What motivated you to write this book? What impact did you hope that it would have in the professional world?

The Civically Engaged Classroom was born out of the idea that as a society we need to think deeply about the purpose of school, especially in times as fraught and divisive as those we are living in. We want teachers to look at their classrooms and see future citizens in front of them, citizens that need to be well-prepared for the hard work of leading and strengthening our democracy.

In our own teaching and staff development, we have met many colleagues who have inspired us with the way they teach with a civic mindset. We have also met countless others who aspire to do this work, but are in communities where they feel unsupported. This book is meant to both highlight the brilliant work we’ve seen, as well as to encourage, inspire and sustain those who feel like they’re teaching into a headwind.

We were also motivated to write this book because it helps to address one of the persistent questions in education: how do we get kids motivated and engaged by school? We think one of the most profound, and overlooked, ways to engage kids is to make sure that the work of school is aimed toward civic ends. When the walls of the classroom come down, kids see that their work has real purpose and impact.

Ultimately, as with everything in education, this is for the kids. We hope that some of what we put in the book helps them seize their power and shape the world they will inherit.

2) What are your BIG takeaways from your book that you hope teachers will embrace in their teaching practices?

We hope that our readers see…

●  …that identity exploration is essential to all curriculum and pedagogy, especially if we are to prepare our children to engage responsibly in our multicultural society.

●  …that schoolwork must be worldwork. That it should include political and historical content that is relevant and contemporary.

●  …that we need to move beyond the single text, everytime, in every situation.

●  …that we can model being active, engaged citizens in front of our students without being partisan.

●  …that when students consume nonfiction, they must teach each other and their parents about what they are learning and why it matters. 

●  …students need frequent opportunities to practice service to a community.

●  …that teachers aren’t alone in this work! There is a thriving, and growing, number of us who are re-envisioning school as a preparation space for citizenship.

3) What is a message from the heart you would like for every teacher to keep in mind?

This book is a call to work. Throughout The Civically Engaged Classroom we’ve included a feature called Practice What You Teach, a regular reminder that the work in these pages is for all of us to take on, not just our kids. We can all do more to be better citizens;  we can all do more to re-envision our democracy. This is not about indoctrinating children, but it is about our duty as educators to help them realize that they have a lot of responsibility in this society and that if they don’t take it, or aren’t adequately prepared for it, they’ll continue to perpetuate grievous harms to themselves and to others.

The work in our classrooms is part of the world. The more we bring the real world in with its injustices as well as its beauty and hope, the better we serve our students, and the better we serve our society.

Ultimate Roles For Teachers and Students

What is needed? Teachers who address identity with honesty and courage, … co-creating with students on a level playing field … to determine a course of action with students … valuing listening and … arguing to listen. Check out the following four tweets that include Mary, Pablo and Marc’s own words.

What is the end goal? Dr. Mary Howard gives us the “411”straight from the book:

While it may seem “easy” to defer to the authors to use their own words, this post could become quite lengthy if a commentary was included for all their wisdom. So sticking with a personal motto of “less is more” here are three high notes of focus from the chat. These refrains will help you get started on a civically engaged classroom.

Where and How Does a Civically Engaged Classroom Fit?

Where do you position a civically engaged classroom? Do you view it as a solo? As an entire section of the performers? Or embedded in the entire musical performance? Your view impacts your planning. Consider these gems of wisdom.

Where might you begin? What do you value? What are your priorities? And then consider Pablo’s wisdom and his verb choices . . . “cut” . . . “replace” . . . “OR infuse” with the end goals of “application of skills, real-life experience, and communal celebration.”

Students: Identity, Stories, Experiences and Interests

The work of so many “artists/performers/authors” is the foundation for all work with students. Sara Ahmed’s identity work in Being the Change (blog post) has led the way for teachers and students to explore their identity and bring about social change. So too have Jody Carrington in Kids These Days and more recently Matt Kay in Not Light, But Fire as well as many other authors. When we embrace Dr. Rudine Sim Bishop’s, “windows, mirrors, and sliding glass doors,” we will have a fun-filled concert program as we follow the lead of so many educators when we consider how to engage students by following their interests.

Where can you find the information to get started? What do you already know about your students? Their interests? Their passions? What are the artifacts that they already have about their own thinking beyond what they are reading and writing? How are we inviting students to be a part of this co-construction?

Explicit Instruction: Norms, “Inclusion,” Note-Taking, and Examining Biases

But what do we teach? What’s important? Of course instruction will vary depending on the needs and interests of the students in front of you! Here are a few ideas for you to consider as you wonder about the WHAT that needs to be taught and practiced before the concert is scheduled.

Instruction is all about routines and processes. Routines and processes for civil discourse. Routines and processes for research. Routines and processes for affirming information. Routines and processed for determining biases and collecting additional information. Which ones might be a priority for you and your students?

FINALE

In conclusion, the time for action is NOW. No waiting. Do not pass go. Do NOT collect $200. Move from the audience to the stage, backstage, behind the side curtains, or center stage under the lights.

It’s time to practice. Take action. Consider student identities. Have a discussion. Focus on student choices. To learn more, check out the Wakelet archive and the Additional Resources. Watch the stellar three part video series. Check out the Coalition of Civically Engaged Educators below. Explore the padlet. Find a friend to travel this journey together and have a conversation partner. Make a plan. Get started!

Additional Resources:

Heinemann Video Series for the Civically Engaged Classroom

The Coalition of Civically Engaged Educators

The Civically Engaged Classroom PADLET

Nurturing Truth-Seeking Communities in School (article by Pablo, Mary and Marc)

Is Learning “Lost” When Kids Are Out of School? (Alfie Kohn)

by Fran McVeigh

Wow! The Twittersphere was on fire on 10/22/2020 when the #G2Great chat discussed Alfie Kohn’s article from the Boston Globe, “Is Learning ‘Lost’ When Kids Are Out of School?” You can check out the article here and the Wakelet for the chat here.

I trust that you will want to check out the article as Alfie Kohn succinctly answers his own question. But that also causes a few more questions for readers which is why the discussion was scheduled with the #G2Great audience. What’s important? What matters?

Here are a few tweets illustrating that point.

Where do we begin? Many government officials and capitalists would have us begin with assessments but if you espouse “student-centered” education then you already know that we must begin at the very beginning. Are there really gaps? How would those be assessed? And how would we really assess learning? And that circles back to student-centered learning. We begin with student assets as identified in the tweets below.

In the Boston Globe article, Alfie Kohn pulls no punches with his beliefs about standardized tests. Do they REALLY measure learning? Well, that then requires us to think about learning. Is learning merely the regurgitation of factoids, examples, and curriculum that could be answered by a Google search? Or is “learning” something else? What do educators believe? How would students respond?

Here are some thoughts on “What is learning?” from the #G2Great community.

So if we are not going to use standardized assessments to measure “Learning”, what can the education community STOP doing now? How can we help “Learning” be the sustained focus and not just the “flavor” for a chat response or a newsletter? How can we make LEARNING the focus of all our future conversations?

In order for instruction to provide opportunities for learning as well as choice, and adding in “student-centered”, what will educators need to be working on expanding? What about: Student agency? Empowerment? Choice?

These four tweets will jump start your thinking about additional actions for your school community.

Is learning lost? There may be some summer slide, but as previously mentioned, students have shared powerful learning from their at-home work that has longer lasting life-time implications for their communities. Where will change come from? What will it look like? It will begin with a belief in the need for change. We can no longer afford to prepare our children for the 20th century. Change has been needed for decades and is evident that we are now in the THIRD decade of the 21st century. The pandemic just made the need for change more visible when schools were shuttered across the U.S. (and Canada) last March.

Where will YOU begin? Who else needs to read and discuss this article with you? When? The time for action is NOW! The students are depending on YOU!

Additional resources:

Alfie Kohn (Books, Blogs, Resources) Link

Alfie Kohn – Standards and Testing – Link

Alfie Kohn – How to Create Nonreaders (Yes, 2010, but read all 7) Link

Doug Fisher, Nancy Frey, & John Hattie: The Distance Learning Playbook

by Fran McVeigh

On Thursday, September 24, 2020, #G2Great welcomed authors Doug Fisher and Nancy Frey to chat about their current book (which is one of the titles in this series, Link). The Wakelet from the chat is available for your perusal here.

Doug and Nancy are not new to #g2great. Previous chats include: This is Balanced Literacy, December 12, 2019; and All Learning is Social and Emotional: Helping Students Develop Essential Skills for the Classroom and Beyond, August 29, 2019.

This review of their book by Jackie Acree Walsh said so much that I actually thought my work was done as far as this blog post.

Echoing through the pages of this timely book is the message: Effective teaching is effective teaching, no matter where it occurs. Teacher voices and classroom examples animate core principles of research-based teaching and learning, enabling the reader to visualize practices in both face-to-face and online learning environments. Multiple self-assessments and templates for reflection support reader interaction with the content. The authors connect Visible Learning and informed teacher decision-making to all facets of effective lesson design and delivery, and address the important issues of equity and inclusiveness; learner self-regulation and driving of their own learning; and use of formative evaluation and feedback to move learning forward. A must-read book!
Jackie Acree Walsh, Book Flyer Link (Corwin site)

What a great book that builds on our existing knowledge and pedagogy as well as our values and best intentions! But never let it be said that I didn’t share my own ideas and thinking! Let’s get started with Doug and Nancy’s thoughts about a message from the heart!

What is a message from the heart you would like for every teacher to keep in mind?

Taking care of oneself is essential. Teachers are so giving, sometimes to the point where they sacrifice their own physical and mental well being for the sake of the students and communities they serve. Self-care isn’t selfish. It gives you the emotional muscles needed to serve others effectively.

So what does self-care entail? What do teachers and school staff need to be thinking about? Module 1 in The Distance Learning Playbook addresses this topic. Individual teachers and teams can work through this module to consider actions that will engage and impact students. An excerpt is available from Corwin at (Link) to explore a work / life balance.

One example: If you are considering a “standing desk” to avoid sitting all day every day, think about how you could “try this out” without spending money on a new desk.

HOW? Try a paper box . . . those sturdy boxes that reams of copy paper come in. Do you have one on hand? Or a crate? Set your computer on that box or crate to “raise” the eye level camera for distance learning. Find materials in your home that could be used to raise the work level of your desk in order to create your own DIY standing desk with $0 cost. WIN/WIN!

Do you want to increase the likelihood that you will carry through with actions to increase engagement and impact? Find a commitment partner and agree on what and when you need assistance from your partner in order to be successful.

All of this is possible because Doug and Nancy are quite specific about their success criteria and share those criteria as well as ways to think about rating the criteria and determining the importance of each factor. Link to an example.

What are your BIG takeaways from your book that you hope teachers will embrace in their teaching practices?

The big takeaway is that we realized that as a field we know a lot about teaching and learning, and we didn’t forget it when we needed to engage in distance learning. We hope teachers will regain their confidence as they link what they know to new implementation practices.

This book is titled: The Distance Learning Playbook with a subtitle “Teaching for Engagement and Impact in Any Setting.” That “any setting” means that the basic principles apply across all settings. Yes, distance learning may be one setting but it does not wipe out all other teacher knowledge around pedagogy and curriculum. We don’t reset at zero when the delivery models change; instead, we sort and sift to ensure that we are choosing the BEST strategies and tools for engaging and impacting learning. This information is included in Module 9: “Learning, Distance or Otherwise”.

What motivated you to write this book? What impact did you hope that it would have in the professional world?

Like educators everywhere, we had to rapidly shift to remote learning this spring. But going forward, we knew that we couldn’t remain in a state of crisis teaching. John Hattie’s Visible Learning scholarship has transformed education worldwide. Dozens of educators opened their virtual classrooms to us to create a new visual lexicon for how those evidenced practices are enacted in distance learning. Weaving the two together has transformed the conversation. We hope that it sparks action about how schooling in any setting can be better than ever.  

“Action about how schooling in any setting can be better than ever” is the goal. Time, learning opportunities and resources like this text have provided examples of increased learning for students. With a “can do” growth mindset and a toolbelt of best ideas and resources, we can and MUST improve learning. And as a part of self-care and informed, reflective decision-making, our days do not have to be filled with doom and drudgery. We can and MUST build in time for laughter and relationships with our students, parents and communities in order to sustain our lives in these challenging times. Additional ideas on this line can be found in “Module 3: Teacher—Student Relationships From a Distance.”

How are you handling your self-care needs?

What impact are you designing in your lesson planning?

Additional resources: The Distance Learning Playbook – Corwin link Free resources – Corwin link Introduction to Visible Learning – Corwin link 3 part Webinar – Teaching Channel and Distance Learning Playbook registration – link Free Webinar: Going Deeper With Distance Learning, Tuesday Sept 29 @ 12pm PDT/ 3pm EDT – Registration on Corwin site

Every Child Can Write

by Fran McVeigh

The #G2Great team exuberantly welcomed Melanie Meehan to the October 3, 2019 chat two days after Every Child Can Write: Entry Points, Bridges, and Pathways for Striving Writers entered the world. As I pondered both entry points and organization for this post, I decided to begin with Melanie’s words in response to our three basic author questions.

1.  What motivated you to write this book? What impact did you hope that it would have in the professional world?

Every day I get to work with writers across all grades and across all levels. Because of my work, I have seen the impact of increasing access and entry points for writers that has led to growth for these students, regardless of functioning levels. 

Very few people enjoy a struggle when they don’t believe they will overcome it, so we have to figure out ways to make the learning and growth seem possible to everyone in the community– especially to the writer. There really is a big difference between thinking about students as struggling or thinking about them as striving, and I hope that people who read this book come away re-examining their beliefs about students.

So often our beliefs become our truths. I want everyone– including and especially our children– to believe that every child can write, and then I want teachers to have practical strategies and resources to help make that happen.

2.  What are your BIG takeaways from your book that you hope teachers will embrace in their teaching practices?

Not everyone is ready for the same curriculum and instruction on the same day, but it’s overwhelming to deliver an entirely separate lesson for students who aren’t getting it. That being said, the concept of the Zone of Proximal Development as described by Lev Vygotsky is a game changer for me. We can’t keep asking students to try out tasks and strategies that are way beyond their reach and ability, and it’s exhausting to create scaffold after scaffold that helps writers create a product without understanding the process. When we do that, we’re sending messages over and over that they can’t do it without us or the scaffolds we create. With those consistent messages, it’s human nature to stop trying and avoid the task or situation all together. So how do we change it up in ways that empower students, but is within the realm of possibility for teachers? That’s where reconsidering entry points may welcome students into the learning process. Or maybe it’s constructing bridges so that students have different ways to join the process. That’s where those metaphors that make up the title come it. I hope that teachers see practical and possible ways to teach all students to write. 

3.  What is a message from the heart you would like for every teacher to keep in mind?

Our job is to find the entry points and provide the access so that students are challenged and moving forward without being overwhelmed and over-scaffolded. We live in a world where being able to write is a critically important and empowering skill. We can all teach them to write when we believe they can and we have the tools and understandings.

So many times even when students look like they are paying attention, they have no idea of what the lesson is really about. Engagement, interest, caring about something– those have to be in place for not only behavior, but also for academic growth. I feel like I keep repeating myself, but the message of the book is that all children can write.

Why this book?

I am a bibliophile. I probably need a 12 step program because I am addicted to books. I love to explore the ideas in a book through multiple readings. I also love to meet authors and hear about the books in their own voices. So when an author that I admire professionally writes a book, I study it pretty carefully. I was waiting for this book for months. I asked Melanie about it in March over coffee. We put the chat on the schedule in June, and Melanie submitted the quotes and questions in record time.

And then I finally had a copy to read. Every Child Can Write had me hooked from the first reading of the Table of Contents – written in complete sentences. Thorough. Thoughtful. Timely. With provocative yet practical ideas. Well organized – so well organized that I read it from cover to cover, TWICE, before I drafted my first blog post. I reread some parts, read the Blog Tour posts, revised my draft, and studied the blog posts again. I was worried about capturing the essence TWICE and doing justice to this gorgeous addition to the professional world.

This book is based on these beliefs:

1. All children can learn to write. 2. It is a fundamental imperative that we do everything in our power to teach the students in our care how to express themselves through words and through writing. – Meehan, M. Every Child Can Write. xviii.

Who has to have those beliefs?

Students and teachers alike have to believe that all students can write and that is fundamental to every chapter in Melanie’s book. It’s also fundamental to the literacy instruction in classrooms around the world. All students. All teachers.

What are obstacles that interfere with student writing?

Beliefs are the beginning. Then instruction has to match those beliefs. Sometimes the instruction does not meet the students’ needs. What obstacles might interfere with learning? Check out a sampling of responses from our twitter chat. Have you heard these from your students or teachers?

Knowing “potential obstacles” can help you address obstacles confronting writers in your classroom. Do the students need practice? Do they need choice? Do they need confidence? Crowd sourcing these possibilities from a #G2Great Twitter Chat is one way teachers can step outside their current practices, sharpen their focus, turn their gaze back to their students, and study them anew. (The responses to “perfectionism” as an obstacle can be found in the Wakelet link.) You may also have collaborative conversations with your grade level team to explore improvements in environment, routines, practices and usage of charts through a book study. Every Child Can Write provides support for instruction and problem solving with entry points, bridges and pathways to help striving writers gain independence.

What do you need? Entry points? Bridges? Pathways?

Where will you begin?

Additional Resources:

Blog Tour Stop 1 with Clare Landrigan – Link

Blog Tour Stop 2 with Kathleen Sokolowski – Link

Blog Tour Stop 3 with Paula Bourque – Link

Blog Tour Stop 4 with Lynne Dorfman – Link

Blog Tour Stop 5 with Fran McVeigh – Resourceful Link

FYI:  I reviewed an advance prepublication copy of “Every Child Can Write” that was available for the #G2Great team.

The Right Tools, Towanda Harris #G2Great

By, Jenn Hayhurst

Access to Wakelet by clicking here.

Disclaimer Alert: I Love Tools!

It’s true, I have a soft spot for tools. From my earliest memories, I have loved working with tools. My father would invite me into his garage and would marvel at the hooks and draws and bins full of useful devices that could help a person get any job done. My love for tools has remained constant, just the other day I inventoried my kitchen tools to assess which ones were most useful. I love tools because they help us to perform at higher levels, to be more independent, and to feel empowered to make a change. Tools make my teacher’s heart sing.

Needless to say, when Towanda Harris agreed to join our #G2Great community… I was VERY enthusiastic! On August 15, 2019, Towanda Harris initiated a discussion stemming from her beautiful new book, so aptly named, The Right Tools, that I believe, will be a book teachers will use and love.

Instructional tools offer a pathway towards active learning and aides for assessment for our students. They are mediators engender high levels of engagement and support. So, why aren’t we all using tools on a regular basis? Towanda, spoken like the true teacher puts it simply,

Today, we often find ourselves facing a dizzying array of materials and resources, whether they be a box of dusty skills cards handed down from a retiring teacher a professional book passed on by a colleague, a unit plan saved from a previous year, a teacher’s manual found in the back of a storage cabinet, a procedure recommended by a supervisor, a program required by a district, a book reviewed on a blog, a set of activi- ties discussed on Twitter, a chart found on Pinterest, a unit downloaded from a website, or a strategy highlighted in a brochure or an email. But how do we know which of these will help the children in our classrooms? How do we find helpful new resources without squandering funding or instructional time?

Towanda Harris, The Right Tools, xii Introduction

How do we begin? This post is dedicated to beginning the process.

I feel so privileged to share the voices of the #G2Great community. Thank you for sharing your expertise so that we may grow our understandings of this important topic.

Having well-defined criteria for what tools are brought into the classroom is an important first step. When developing a criterion, we begin as Towanda suggests, with clarity for the tool’s “purpose” so they may meet students where they are. While Travis reminds us to consider the appeal of tools, is they “kid-centric” if kids don’t like them they won’t use them. Mollie brings us back to basics as she reminds us to keep tools grounded in authentic opportunities for use. Sonja comes at tools from another perspective, when she tweeted that the best tools are flexible ones that “bend.” So true!

Tools offer teachers opportunities to be responsive to students needs. Faige, adds her voice to the conversation as she explains that criteria for tools cannot be set unless teachers have time to observe the students who are in the room, she invites us to consider students’ “interests, needs, and strengths”. Towanda echos this truth as she perks our attention to knowing “learning styles” so we may avoid that “one size fits all” mentality that becomes a roadblock for a successful transfer to independent use. As always, Mary brings the discussion back home, as she implores us to be “honest” in our estimation of tried and true tools we love as educators. We have to always be reflective to make sure we really do have the right tool for the job. Laura, says it best I think when it comes down to the underpinning for criteria for tools, “Students are criteria” Know your students first, then develop or offer the tools they need to be successful.

This post offers just a snapshot of the conversation we had about tools. I do encourage you to go to the archive if you missed the chat. It is a treasure trove of ideas that could spark a meaningful discourse for any Professional Learning Community, (PLC).

On behalf of my #G2Great team, I’d like to thank Dr. Towanda Harris for joining us for this meaningful discussion. Teachers everywhere are organizing and getting their resources together to kick off the school year. With books like, “The Right Tools” in hand they will get closer to “great practice”, and that is what teaching from a learning stance is really all about.

Breathing New Life Into Book Clubs

By Brent Gilson with Guest Blogger Travis Crowder

#g2great 8/8/19

This week we had the awesome pleasure of chatting with Sonja Cherry-Paul and Dana Johansen about their new book Breathing New Life into Book Clubs The Wakelet of the chat can be found here.

Travis Crowder has written a great blog response to the book that we would like to share with you. Travis is a passionate advocate for literacy work and is the co-author of the fantastic book Sparks in the Dark which had its own chat and the Wakelet for that is available here and the Literacy Lens post here. The G2Great team is so grateful that Travis was willing to share his words with us.

Travis Crowder response to Breathing New Life into Book Clubs

A Friday afternoon. I watched them grab their books and notebooks and gather on the rug around the coffee table. Conversations from other groups created lively streams of energy around the classroom, but in this group, something was different. When they were settled and facing one another, they opened their notebooks, almost in unison, and began writing. Curiosity got the best of me. What were these students up to? I walked to the edge of their group, trying to catch a glimpse of what they were writing, careful not to disrupt the flow of whatever was happening. I didn’t know, but clearly, they did. And that was all that mattered. I squinted to catch a line in Keila’s notebook, and that’s when I realized the significance of their writing. In their book club book, the mother of a character had died, and they were capturing emotional reactions inside their notebooks. Without any prompting, they had decided that spilling their emotions on the page first would help them make sense of their thinking. Discussions migrated from groups across the room, pressing against the quietude of this group, yet their activity was unimpeded. After several minutes, when everyone had finished writing, Karina looked around the group and said, “Who wants to read theirs first?” The book club was now ready for discussion.

Book clubs possess the power to transform readers and to elevate students’ thinking, reading, and writing. The story above captures a beautiful moment in my classroom, one that we dream of as teachers, yet one that may not happen as often as we’d like. For several years, I was hesitant to include any book clubs in my classes for fear that students wouldn’t read, conversations would flatline, and several weeks of valuable time would be sacrificed because of poor management— mine and theirs. At first, the attempts were wobbly, and often, I felt lost in despair. With time and quite a few mistakes, though, I created routines with my students that helped us develop effective book clubs. Looking back, I wish there had been a comprehensive professional text to help me understand the nuts and bolts of managing book clubs, while providing strategies for holding students accountable for reading and discussions. Now, that text exists. And it is nothing short of brilliant.

Breathing New Life into Book Clubs: A Practical Guide for Teachers, by Sonja Cherry-Paul and Dana Johansen, is a gift to our profession. It’s as though both Sonja and Dana are standing at the threshold of the book, asking readers to join them on a breathtaking journey of thought. They take us through systems and routines that make book clubs manageable and inviting, and ultimately, a way to help students fall in love with reading. Both writers denounce superficial assignments and activities that demean literacy and provide ideas that nudge kids to develop authentic reading habits. Philosophy is threaded into the tapestry of Chapter 1, letting us know that their thinking is grounded in creating a culture of reading and assuring us that this work is possible. But it goes beyond that.

I love the types of clubs— genre, identity, goal, theme, and series— that they delineate for us. Prior to reading this text, I hadn’t given much thought to the type of books students were reading, other than attempting to focus clubs around a big idea, such as war or relationships. This delineation breathed new life into my thinking. Identifying the type of club we feel is most beneficial for kids will determine their energy, engagement, and success, all of which nudge us to provide book clubs again and again for our students.

In addition to helping us understand the different types of book clubs, a curated list— of wide and varied titles— is available to help us select the books we want to offer our students. They give us ideas and mini-lessons to create book clubs beside students, coach them into effective conversations about texts, and lead them into a life of living with books. If you’re worried that clubs will lose their focus and energy, set your heart at rest— they have you covered. Writing, sketching, creating bookmarks, and recording videos are just a few of the strategies to help students lean in to deeper conversation. And what’s more? Sonja and Dana walk beside you through each mini-lesson, offering ideas that will lift your book clubs from where they are to an even higher plane. Kids aren’t reading with no direction. They’re reading to think, to learn, and to grow alongside their fellow club members and classmates. And fall in love with books.

I want you to listen to this gorgeous section from the first chapter:


Book clubs are where students fall in love with reading, but we value book clubs because it is in these spaces that we witness humanity at its best. Through the process of reading and responding to texts, students come to understand each other better. They reflect on who they are, where they hope to be, and the ties that bind them together. The attitudes, traditions, values, and goals established in book clubs often become the principles that guide the way students live their lives. As such, we can invite students to record the story of their book club in a journal or on a blog— the laughs, the struggles, the triumphs, and the lessons learned that will stay with them (pg. 8).

So often, joy and community seem to be a missing pieces of language arts classrooms.  Book clubs, which can be full of life, love, and joy, can help kids prepare for a lifetime of reading, especially when created with teachers who want to see them develop into readers who can sustain volume and independence. The emphasis on understanding each other is a beautiful ode to empathy, and something we need more of in our world. When I work with kids to establish books clubs this school year, I will look for those places where students are maturing into better human beings. Book clubs help create that story— for us and for our kids.

Sonja’s and Dana’s incredible humanity glimmers on each page. Children are at the heart of this work, and with their brilliant thinking, both writers show us how we can move kids to engage with books and their world. Democracy demands a literate populace. It’s teachers like you and me, ones who are committed to this critical literacy work, who will shape the minds of tomorrow. We live in a world of uncertainty and pain, and each day, hateful rhetoric pierces the heart of humanity, eroding the integrity and decency we try to uphold. Sonja and Dana have given us a book that does not waver in its devotion to students, teachers, and books. With them, we can go into our classrooms and create a literate atmosphere based on empathy and respect. Let us not forget that we are fierce educators. And we have the capacity to show kids the indomitable power of story. 

Thank you, Sonja and Dana, for an unwavering allegiance to our profession and for helping me better understand the qualities and virtues of effective book clubs. I salute you and am honored to work beside you in literacy education.

Q and A with Sonja Cherry-Paul and Dana Johansen

1.  What motivated you to write this book? What impact did you hope that it would have in the professional world? As educators, we’ve yearned for a book that pulls together the research and best practices that could help us have the “best book clubs ever.” And although we found pieces of the puzzle, in various places, we couldn’t help but notice an important gap: There simply wasn’t a book that exclusively addressed the nuts and bolts of book clubs- how to create, maintain, and sustain them. We decided to create this resource for ourselves and other educators. 

2.  What are your BIG takeaways from your book that you hope teachers will embrace in their teaching practices? We must be unyielding in the goal of cultivating lifelong readers. This can be accomplished by staying true to three mantras: 1) Be Brave! Let Go! Pull Back! Students must have choice and ownership over their reading and their clubs. 2) Embrace Authentic Discussions! Students’ discussions will ebb and flow; trust that they will become stronger over time. 3) Joy! Joy! Joy! Build joyful reading communities by providing high-interest texts, helping clubs form strong identities, and encouraging students to read together. 

3.  What is a message from the heart you would like for every teacher to keep in mind? We have the power to provide pathways that nurture a love of reading in our students. We hope educators will take part in a reading revolution that makes joyful reading and book clubs central.

We at G2Great would like to thank Sonja and Dana for their beautiful book and for joining us to discuss it. We would also like to thank Travis Crowder for providing the blog post for this week. If you are looking for more discussion around the book please check out Clare Landrigan’s post and video on her blog which is linked here .

Additional Links

Facebook Group: Breathing New Life Into Book Clubs facebook.com/groups/7707352…

Instagram: LitLearnAct

Most Recent Blog Post: medium.com/@heinemann/wha…

Most Recent Podcast: blog.heinemann.com/on-the-podcast…


Jennifer Serravallo: Understanding Texts & Readers

By Fran McVeigh

Back in March the #G2Great community hosted a chat featuring Jennifer Serravallo and her book, Understanding Texts & Readers:  Responsive Comprehension with Leveled Texts.  Here is that Wakelet.  Previous bestsellers are Reading Strategies (2015) and Writing Strategies (2017).  (Writing Strategies Chat)

Last week I had the honor to be at Hamline University in Minneapolis for Jennifer’s three hour keynote over this book with #G2Great friend, Kathryn Hoffmann-Thompson.  Three hours for this topic…not nearly enough to cover everything in the book but so much better than a shared presentation or just an hour for surface coverage.

A Memorable Opening

Jen opened by sharing her “Identity Web” and then gave us about five minutes to begin ours.  Identity webs are a favorite activity from Sara Ahmed, author of Being the Change. This was a practical and purposeful introduction.

I didn’t capture a picture of Jennifer’s Identity Web but I do remember the dancing, ballet and at home.  It captured a part of my mind that made a new connection and added to my picture of her.

As I tried to think of ideas and symbols for my web, I thought about a) this activity with Sara at NCTE and b) the fact that many of my friends comment on the conversations I have with strangers on the streets of New York City because of the college colors I wear.  That college identity is even more poignant because of this story of Sara’s. Sara in a city separated by 90 miles from me on this memorable date.  The possibilities for my web were easy to generate!

Classroom Connection

Create an Identity Web before school begins. Consider the aspects of your life that have shaped you. Share your web with your class.  Provide time for your students to create an Identity Web.

ACTION:  Use the identity webs of your students to audit your classroom libraries and ensure all students are represented.

And then the WHY.

Research

Name Dropping

Fast and Furious

Hattie

Sulzby

Fountas and Pinnell

Where do we start with Goals?

  1. It is all about comprehension.
  2. A five minute assessment conference

We watched a video of an assessment conference that involved a lot of listening.  It looked and sounded easy.  The hard part was listening and thinking about what the student “could do”.  As a first grader this student was working on the goals at the top. Any of them could have been choices – depending on the conversation. A student well matched to a text. Retelling.  Listening to what the student is paying attention to. Setting a goal for three weeks, working the goal, and meeting again with the student to figure out next steps.

ACTION:  Five Minute Assessment Conferences

RESPONSIVE

A student.

Well matched to a text.

Retelling.

Listening to what the student knows.

What can the student do?  What might be  a next step?  Plan, execute the plan, and revisit in three weeks.

What is the beauty of this work?

Simple goal  (Not a SMART goal)

Focus on “Can Do” (Not deficits)

Short Term (Not a lifetime sentence)

Responsive (Not searching for a program)

How are you using Understanding Texts & Readers: Responsive Comprehension with Leveled Texts

How are you setting goals?